What taking 7 years to make a film taught me about creativity

Making a film on my own

Earlier this year I finally pressed the ‘export’ button on a documentary film I had been making for over 7 years. I ended up working on the project on my own, in my spare time around a full time job, and later 2 house moves and a new baby.

It started out as a project that I did as part of a documentary film making course, which was a six month long part time course. I was meant to produce something that was fifteen minutes long and based only on filmed footage, but what I ended up producing, 7 years later stretches to just over an hour and has numerous animated sequences, which I also produced myself.

The finished film is very much a DIY affair, and is entirely self funded (although after paying for training and buying new equipment I estimate my spending on it to come in under £10,000).

It is the story of a man who was a journalist in Iraq at the beginning of the war in 2003, and who lost part of his leg to a landmine. My aim in the film was to tell the story of this event and his recovery from it.

I’ve entered it into a few festivals but have been knocked back from the bigger ones where I was probably competing against professional outfits. I’m still wiating to hear from some smaller ones, but I don’t really mind this, as entering the film into festivals weas more of a mark of completing the project for me than anything else. For those who know me actually finishing projects isn’t my strong point.

I’m pleased enough with the look, but having made it once there are things I would do differently now. There are definitely a lot of things I learned both about film making and my own creative process along the way.

Technical skills matter

One of the big frustrations I had with that original course is that the tutor spent far more time on ‘ideas development’ than she did on technical skills training. I think that ideas development is really important, and allowing space for that activity is definitely key to a successful project.

However, when I came to try to put some of my ideas into practice I found that I didn’t have the technical skills to do some of the things I wanted to do. Some of those things were quite basic editing techniques, and I needed to go off and pay for more training to really be able to start putting my ideas into practice

Equipment matters

Another problem I had with that orginal course was that the equipment they supplied was very big, clumbersome, and almost impossible to manage on my own. Most of the cameras were really designed for use on sets or bigger productions, not for the DIY documentarian.

I think they intended for groups of students to team up while making their films, but this didn’t work so well on a part time course as we all had different schedules and commitments. The impact this had on me was to make me feel that documentary film making would be inaccessible to me, and to lose courage. But over time I learned this was not the case.

Later I invested in a small digital DSLR camera that records really nice interview footage, a pair of radio mics and some other small bits and pieces. All of this equipement fits in a bag that I can take on the bus with me if I need to.

There are draw backs, in that the DSLR doesn’t like to record footage while it is moving (although it does a nice job with capturing things if it is locked off on a tripod), so I’ll have to supplement my kit at some point with a go pro or a camcorder.

But the lesson here was that with a bit of research I was able to find some kit that worked for me.

Being ‘slow’ is baked into my process

I was reading an article by Dad on the Spectrum the other day on Medium about how people who are neurodiverse take more time to do things. I left a comment about how I used to think I was ‘slow’, but now I know that I just think differently. I think in the comment this ‘slow’ came across as a negative thing, and it probably was at some point in the past.

Now I see that my process of circling through projects and giving each one a rest to breathe for periods of time is probably just part of my process. It certainly slows down my progress, but I think the end results are better so I’m learning to embrace ‘slow’.

I like to make things hard for myself

One of the decisions I made early on was to animate a number of sections in the film. I learned that using film footage is a lot quicker and easier, although maybe less satisfying.

I don’t regret choosing this path, but it was time consuming, labour intensive, and slowed down the whole process even more as I needed to do more training, and learn how to use a different set of software. Still I am glad that I did this as it enriched the experience of making my film.

If after all of that you would like to view the finished film you can see it here.

Thank you for reading. I also write, make art and films. You can read my short fantasy stories here on Simily. If you are interested in the process of creativity and want to get a copy of my free short book of creative prompts, and to hear more about my writing projects please join my mailing list here. You can see my films at my YouTube channel here. You can see things with my designs on at my shop here. Could even treat yourself if you wanted to. Just saying. If buying art is not your thing, but you would like to support what you see I also have a Patreon page here.

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When you finally hit export on a film you’ve been working on for seven years…

As some readers of this blog will know I’ve been working on a part animated documentary for quite some time now. Today I finally pressed export.

More to follow on when and where it will be available to view, once I work out the details.

It feels good Magpies.

Thank you for reading. I also write, make art and films. If you are interested in the process of creativity and want to get a copy of my free short book of creative prompts, and to hear more about my writing projects please join my mailing list here. You can see my films at my YouTube channel here. You can see things with my designs on at my shop here. Could even treat yourself if you wanted to. Just saying. If buying art is not your thing, but you would like to support what you see I also have a Patreon page here.

Weekend work in progress: animated sections for my Doc

Here is a little extract from a documentary I have been working on for a long time now. I’ve been experimenting with different forms of animation and this one is pretty simple compared to some of the other things I am thinking about, but actually I think it looks really nice and clean. It could probably do with a few tweaks around speed and that kind of thing, but mostly this one has come together quite nicely.

Would love to hear any comments/ feedback.

Like what you see? I also make art. You can things with my designs on at my shop here. Could even treat yourself if you wanted to. Just saying.

Street poetry

Seen while out and about – street poetry. I rather like the sentiment, I’ve been working on a film that will look (if I ever finish) at how we can tell good, authentic stories about trauma and distress. It’s a complicated thing, because while our brains like simple, linear stories, people’s lives are often far more messy than that.I think at the moment my question is how do you tell a good story about a whole person, rather than an event?

What do you think.

 So a bit of a thought in progress – more to follow I think.

Putting things down, picking things up, starting again

new-doc-images

Over the last few weeks I’ve been making a slow return to working on two projects that I started last year. At the beginning of last year I took a course in documentary film making and I took two courses in play writing. I’ve been interested in the process of documentary filmmaking for quite a while. A lot of my formal training has been in research methods and in the social sciences, and have some frustrations with the way that academic work gets communicated (or doesn’t) to the wider world. At the time this seemed like a good thing to understand a bit better, and a good fit with my existing skill set. I took the play writing course because I was stuck with a novel I was working with and thought it would be helpful to look at it from a different approach. But then I got hooked and decided I had to write a play, obviously. And I did, sort of.

But there were problems. The film school that I enrolled with decided to change the dates of their course without really giving me much notice and I ended up trying to do both things at the same time, and have a full time job too. It worked for a while, but then I went through some crappy nonsense in my private life, and started a new job, and it didn’t really work anymore. Up until the beginning of September I’d not really worked on either project for 12 months and was not feeling great about that as I really wanted to finish something well enough to send it ‘somewhere’. I also have a film maker in my family, my dad, who kept gently reminding me that I should, ‘Work on my film’. And he’s right, I should be working on my film, because I got lucky with a really good story and could do something really interesting with it.

It took me a bit of time to work out what the blocks were on continuing with both projects, but I think I have a list now.

  1. Space – I was living with a friend of mine at the time and didn’t really have a huge amount of space. I’m kind of messy, and didn’t want to leave my mess all over his flat, so I ended up with a kind of squashed psychological space to work in.
  2. Teaching style – on the doc film course at least I felt a little as though I didn’t gel with the tutor. I think she’s great film maker, and loved talking to her about films. But she’s very much from the observational documentary style school. I wanted to work with other artistic things, like animation and set up pieces of film. I think I felt at the time that I wasn’t really able to make ‘my’ film so I did’t make a film at all.
  3. Time and Timing – the timing was bad, I was sad and exhausted. I was still getting used to living in London having moved from Cardiff, which is a much smaller, calmer city and one that I knew very well. I did’t have time to feed my creative self and that meant I couldn’t really put the work in that was needed.
  4. The fraud police – would anything I produced actually be as good as I thought they could be?

Above are some images I finished off yesterday that will part of an animation for the documentary. I’ve been writing new scenes for the play. So what’s happened? What has changed? I can think of two things that have really worked in ‘unblocking’. The first is that I cut out a load of things that I was doing, including socialising with some people that kind of drained me a bit, and carved out that time for doing creative stuff. Small, achievable projects first, at which step by step led me back to the ‘big’ ones. I’ve also come to realise that part of my creative process involves giving projects long ‘down’ periods as this enables me to come back to them with a new perspective. So not working on either project for a year doesn’t feel un-natural with hindsight.

Second, and I think this is the big one. I moved in with the boyfriend. We got a place together that gives me more space, and that helps. But I think the real key here is him. He’s constantly and consistently supportive, and frequently cooks the dinner so I can get on with something else. He’s such a tidy organised person, and yet he tolerates my creative mess everywhere, and he does it all with humour. He’s always happy to listen to my ideas, and talk to me about that, while never once said ‘you should do this’. I think that’s enabled me to regain some creative confidence. I had been told in the past that picking the right partner was really important, and I had been a bit dismissive of that, because at the time I was single and thought I could do it all myself. Turns out that advice was pretty good advice, after all.