What taking 7 years to make a film taught me about creativity

Making a film on my own

Earlier this year I finally pressed the ‘export’ button on a documentary film I had been making for over 7 years. I ended up working on the project on my own, in my spare time around a full time job, and later 2 house moves and a new baby.

It started out as a project that I did as part of a documentary film making course, which was a six month long part time course. I was meant to produce something that was fifteen minutes long and based only on filmed footage, but what I ended up producing, 7 years later stretches to just over an hour and has numerous animated sequences, which I also produced myself.

The finished film is very much a DIY affair, and is entirely self funded (although after paying for training and buying new equipment I estimate my spending on it to come in under £10,000).

It is the story of a man who was a journalist in Iraq at the beginning of the war in 2003, and who lost part of his leg to a landmine. My aim in the film was to tell the story of this event and his recovery from it.

I’ve entered it into a few festivals but have been knocked back from the bigger ones where I was probably competing against professional outfits. I’m still wiating to hear from some smaller ones, but I don’t really mind this, as entering the film into festivals weas more of a mark of completing the project for me than anything else. For those who know me actually finishing projects isn’t my strong point.

I’m pleased enough with the look, but having made it once there are things I would do differently now. There are definitely a lot of things I learned both about film making and my own creative process along the way.

Technical skills matter

One of the big frustrations I had with that original course is that the tutor spent far more time on ‘ideas development’ than she did on technical skills training. I think that ideas development is really important, and allowing space for that activity is definitely key to a successful project.

However, when I came to try to put some of my ideas into practice I found that I didn’t have the technical skills to do some of the things I wanted to do. Some of those things were quite basic editing techniques, and I needed to go off and pay for more training to really be able to start putting my ideas into practice

Equipment matters

Another problem I had with that orginal course was that the equipment they supplied was very big, clumbersome, and almost impossible to manage on my own. Most of the cameras were really designed for use on sets or bigger productions, not for the DIY documentarian.

I think they intended for groups of students to team up while making their films, but this didn’t work so well on a part time course as we all had different schedules and commitments. The impact this had on me was to make me feel that documentary film making would be inaccessible to me, and to lose courage. But over time I learned this was not the case.

Later I invested in a small digital DSLR camera that records really nice interview footage, a pair of radio mics and some other small bits and pieces. All of this equipement fits in a bag that I can take on the bus with me if I need to.

There are draw backs, in that the DSLR doesn’t like to record footage while it is moving (although it does a nice job with capturing things if it is locked off on a tripod), so I’ll have to supplement my kit at some point with a go pro or a camcorder.

But the lesson here was that with a bit of research I was able to find some kit that worked for me.

Being ‘slow’ is baked into my process

I was reading an article by Dad on the Spectrum the other day on Medium about how people who are neurodiverse take more time to do things. I left a comment about how I used to think I was ‘slow’, but now I know that I just think differently. I think in the comment this ‘slow’ came across as a negative thing, and it probably was at some point in the past.

Now I see that my process of circling through projects and giving each one a rest to breathe for periods of time is probably just part of my process. It certainly slows down my progress, but I think the end results are better so I’m learning to embrace ‘slow’.

I like to make things hard for myself

One of the decisions I made early on was to animate a number of sections in the film. I learned that using film footage is a lot quicker and easier, although maybe less satisfying.

I don’t regret choosing this path, but it was time consuming, labour intensive, and slowed down the whole process even more as I needed to do more training, and learn how to use a different set of software. Still I am glad that I did this as it enriched the experience of making my film.

If after all of that you would like to view the finished film you can see it here.

Thank you for reading. I also write, make art and films. You can read my short fantasy stories here on Simily. If you are interested in the process of creativity and want to get a copy of my free short book of creative prompts, and to hear more about my writing projects please join my mailing list here. You can see my films at my YouTube channel here. You can see things with my designs on at my shop here. Could even treat yourself if you wanted to. Just saying. If buying art is not your thing, but you would like to support what you see I also have a Patreon page here.

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When you finally hit export on a film you’ve been working on for seven years…

As some readers of this blog will know I’ve been working on a part animated documentary for quite some time now. Today I finally pressed export.

More to follow on when and where it will be available to view, once I work out the details.

It feels good Magpies.

Thank you for reading. I also write, make art and films. If you are interested in the process of creativity and want to get a copy of my free short book of creative prompts, and to hear more about my writing projects please join my mailing list here. You can see my films at my YouTube channel here. You can see things with my designs on at my shop here. Could even treat yourself if you wanted to. Just saying. If buying art is not your thing, but you would like to support what you see I also have a Patreon page here.

New story board attempt.

It’s been a while since I’ve had time to sit down and draw. After we moved and adopted the cats it’s taken a bit of time to settle in to doing creative things with paper. I’ve now been through a full cycle of ivf which was exhausting but ok. We are waiting on the outcome now. I also had quite a lot of animation work left to do on the computer and so prioritised getting that done.

But today I had some time to sit and draw some mini story boards for a documentary I’ve been working on for some time. I have some audio that needs visuals to go with it and I’ve been animating those sections among others. It feels really nice to be drawing again.

In other news I’ve started a patreon. There isn’t much on there at the moment but I’m planning to post pictures and updates on my drawing and writing which I’m less happy to put out in the public lest the ideas get pinched. I’d really appreciate it if people would be interested in following me there.

You can follow me here:

https://www.patreon.com/Midnight Magpie

Weekend work in progress

I’ve been working on an animation for my documentary that involves some figures playing poker. Here’s a quick peek at one of the work in progress images.

I planned for the hands to be more of a mint green but didn’t have the right paper. But I think this shade works fine – I’m pretty happy with them.

Like what you see? I also make art. You can things with my designs on at my shop here. Could even treat yourself. If you wanted to. Just saying.

Weekend work in progress: animated sections for my Doc

Here is a little extract from a documentary I have been working on for a long time now. I’ve been experimenting with different forms of animation and this one is pretty simple compared to some of the other things I am thinking about, but actually I think it looks really nice and clean. It could probably do with a few tweaks around speed and that kind of thing, but mostly this one has come together quite nicely.

Would love to hear any comments/ feedback.

Like what you see? I also make art. You can things with my designs on at my shop here. Could even treat yourself if you wanted to. Just saying.

Animation, finally finished

I have been working on this little animation for what feels like forever. It is a short excerpt from a documentary that I am working on which will eventually feature animated sequences alongside filmed footage.

I’ve had to re-start it several times because of mistakes I made when I set it up, and through getting my head round how to combine my paper cut art work with digital animation and film making soft ware. It has been a real trial and error journey to get to this.

If you have time please have a look and let me know what you think. The film is just over 30 seconds long so short enough for a quick peek. I would love to know what people think about this.

Works in progress

I’ve spent a lot of time today trying to finish some artwork for my documentary. I’ve been trying to us a mix of different textures when choosing paper and I think the end result looks nice at the moment. The process is very time consuming, and I think I’m going to need to factor in more time per animated sequence. 

I’ve been reading about the slow movement recently and see parallels in my chosen materials and methods at the moment. The time needed to complete the pieces I’m working on at the moment means that the results emerge slowly, and I have to have a bit of patience with the process. Rushing this kind of work may lead to quicker results, but the are frequently less successful than the ones I develop slowly, with plenty of thinking time built into the process.

Experiments in paper cut walk cycles

I’ve been putting a lot more thought into my documentary film recently. I’m really interested not just in telling a story but in using the film to look at how you can choose to tell stories about trauma and mental health. I’m also interested in working out how you tell stories about people in a way that doesn’t reduce them being ‘that guy that the thing happened to. I’m not sure I’m there on that yet.

At the moment the majority of the actual film footage I have is of interviews. Personally I really like the style of doc where the film maker lets a person tell their story like this. However it’s visually not that interesting to look at. One of the aesthetic decisions I have made is to try to animate some sections of the interview footage, and to animate where I only have audio material. Here’s a photo of an experiment with papercut walk cycles. I’m going to photograph these, and then feed the images into adobe animate to create a couple walking. I’ll let you know how I get on with that. 

Animation, especially using a papercut style imagary that I really like to work with, is a really time hungry process. As I’m squeezing in an hour here and there around a full time job it’s taking me weeks to produce a few seconds worth of footage. It’s slow going but I’m pretty happy with this. I like using sections of footage that visually suggest the story is a construction – as much as the footage is of someone telling their own story in their own words, it’s still it’s my take on it. There could be other ways of telling the same events.